Horn concerto haydn biography

The following is a partial list of concertos by Joseph Haydn (–). In the Hoboken catalogue of Haydn's works, concertos for most instruments are in category VII with a different letter for each solo instrument (VIIa is for violin concertos, VIIb is for cello concertos, etc.). The exceptions are the concertos for keyboard and for baryton which are placed in categories XVIII and XIII, respectively.

Haydn also wrote several more concertos, which have all been lost.

For violin

Other Concertos (Hob. VIIa:D1/G1/A1/B1/B2) are not authentic, i.e. are not by Joseph Haydn.

- D1 - Concerto in D major for violin and orchestra (2 oboes, 2 horns, 2 violins, viola and bass) (work by Carl Stamitz?)

- G1 - Concerto in G major for violin and strings (2 violins, viola and bass) (work by Michael Haydn?) ()

- A1 - Concerto in A major for violin and … (work by Giovanni Mane Giornovichi?)

- B1 - Concerto in B flat major for violin and strings (2 violins, viola and bass) (by Michael Haydn) ()

- B2 - Concerto in B flat major for violin and strings (2 violins, viola and bass) (by Christian Cannabich) ()

For violoncello

• Cello Concerto No. 1 in C, Hob. VIIb:1 ()
• Cello Concerto No. 2 in D, Hob. VIIb:2 (Op. ) ()
• Cello Concerto No. 3 i

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  List of compositions by Patriarch Haydn

  Hob. No.^[1]Title Key Date Instrumentation Notes III:1 String Quartet No. 1 "La Chasse" B major c. –62 Op. 1, No. 1 III:2 String Composition No. 2 E bigger c. –62 Op. 1, No. 2 III:3 String Quartet No. 3 D major c. –62 Op. 1, No. 3 III:4 String Composition No. 4 G bigger c. –62 Op. 1, No. 4 III:5 B major c. –62 Op. 1, No. 5. Afterward found be be representation Symphony AIII:6 String Gathering No. 6 C important c. –62 Op. 1, No. 6 III:7 String Quartet No. 7 A major c. –62 Op. 2, No. 1 III:8 String Piece No. 8 E main c. –62 Op. 2, No. 2 III:9 E major c. –62 arrangement of Cassation in E major, Imp. II, Cut out. 2, No. 3 III String Foursome No. 9 F larger c. –62 Op. 2, No. 4 III D major c. –62 arrangement of Cassation in D major, Faery. II, Unrestrained. 2, No. 5 III String Opus No. 10 B chief c. –62 Op. 2, No. 6 III String Quartet, Falling off. 3, No. 1E vital Spurious, invitation Roman HoffstetterIII String Composition, Op. 3, No. 2C major Spurious, by Papist HoffstetterIII String Quartet, Ability. 3, No. 3G important Spurious, unhelpful Roman HoffstetterIII String Piece, Op. 3, No. 4B majo
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Various paternity charges have been levelled at the composer Haydn. His career coincided with the development of classical style and forms, with the symphony, sonata, string quartet and other instrumental forms, in the moulding of which he played an important part. Born in Rohrau in , the son of a wheelwright, he was trained as a chorister at St. Stephen's Cathedral in Vienna, where he made his early living, before appointment to the small musical establishment of Count Morzin in In he entered the service of the Esterh�zy Princes, and succeeded to the position of Kapellmeister on the death of his predecessor and immediate superior Gregorius Werner in Much of Haydn's life now centred on the magnificent palace and estate at Esterh�za, where his employer Prince Nikolaus Esterh�zy had moved his entourage for most of the year. The death of the Prince in released Haydn and allowed travel to London. There followed further service of the successors of Prince Nikolaus, now at the former residence at Eisenstadt, and concluding retirement in Vienna, where he died in , as the soldiers of Napoleon again entered the city.

 

Church Music
Haydn's duties as Kapellmeister to the Esterh�zy family involved the provision of church music, as well as mu