Francis imbuga autobiography sample
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Betrayal in say publicly City
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THE WAY SELECTED IMBUGA PLAYS INTERROGATE THE SOCIO-POLITICAL SYSTEM IN KENYA
THE WAY SELECTED IMBUGA PLAYS INTERROGATE THE SOCIO-POLITICAL SYSTEM IN KENYA Azania Emmanuel Mwalulesa Mwalimu Nyerere Memorial Academy KEYWORDS: Imbuga’s , Selected, Politics, Plays, Interrogate Abstract The main objective of this article was to re-read Francis Imbuga’s selected plays: The Successor, Game of Silence and Betrayal in the City, on the way they interrogate the 21st C Kenya socio-political system. The article used primary data gathered from the three selected Imbuga’s plays while the secondary data were obtained from the University of Dar es salaam main library and online library. This study is qualitative in nature. The data for the study were obtained through close reading and were analysed by classifying them into themes. By using new-historicism theory, it was revealed that the three Imbuga’s plays interrogates the 21st C Kenyan socio political situation in different ways by revealing socio-political issues like corruption, betrayal and poor leadership, oppression and suppression, cruelty against women, conflicts, disunity, disillusionment and poor power succession. The article concludes that Imbuga’s literary works are timeless because they endlessly reflect the real socio-polit
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The First Wave of Kenyan Novelists
There are endless examples in history where the brutality of colonialism may be identified and critiqued, but for me, the aftermath of the 1952 State of Emergency in Kenya works best. On 7 October 1952, Chief Waruhiu – who’d formed an alliance with the colonial government and was working under them – was murdered. Historical records point to members of the Mau Mau as his killers. 13 days later, colonial governor Evelyn Baring declared a state of emergency – one that lasted for 8 years.
After the declaration, English became the official and only language of formal education. As Ngugi Thiong’o writes in his book Decolonizing the Mind, “English became more than a language, it became the language, and all the others had to bow before it.”
This period in history changed many Kenyans’ lives, and for those who would venture into the world of letters, it would be an opportunity to tell the stories of Kenya that depicted realities – whether actual or fictionalised – and be part of the first wave of Kenyan novelists.
The 60s: Tradition and the colonial era
The obvious starting point for Kenyan literature is Ngugi wa Thiong’o’s Weep Not, Child – a fictional tale set within the turbulent times of the State of Emergency. Published in