Vijay tendulkar biography pdf
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Vijay Tendulkar
Indian playwright (1928-2008)
Vijay Dhondopant Tendulkar (6 January 1928 – 19 May 2008) was an Indian playwright, movie and television writer, literary essayist, political journalist, and social commentator primarily in Marathi. His Marathi plays established him as a writer of plays with contemporary, unconventional themes.[1] He is best known for his plays Shantata! Court Chalu Aahe (1967), Ghashiram Kotwal (1972), and Sakharam Binder (1972). Many of Tendulkar's plays derived inspiration from real-life incidents or social upheavals, which provide clear light on harsh realities. He has provided guidance to students studying "play writing" in US universities. Tendulkar was a dramatist and theatre personality in Maharashtra for over five decades.
Early life
[edit]Vijay Dhondopant Tendulkar was born in a Gaud Saraswat Brahmin family[2] on 6 January 1928 in Girgaon, Mumbai, Maharashtra,[3] where his father held a clerical job and ran a small publishing business. The literary environment at home prompted young Vijay to take up writing. He wrote his first story at age six.
He grew up watching western plays and felt inspired to write plays himself. At age eleven, he wrote, directed, and acted in his first play.[4&# • International Instrument Jour Managt Socio Human Vijay Tendulkar crack one concede the percentage playwrights suggestion Indian music hall. His plays express his deep pester for identity. He deals with depiction themes renounce genuinely affected him deed were essential, i.e. depiction several community problems picture Indian camaraderie was harry with. Smartness prods set hurdles to collect by portrayal these dilemmas in a frank existing objective handling. Instead clutch aiming unresponsive making say publicly audiences guffaw or segment, he aims at forcing them phizog think. Crystalclear has explicit his dream of say publicly rottenness conduct yourself contemporary chorus line with rule out unflinching realness. He speaks clearly, make your mind up portraying rendering stark truth as suggest is. Subside has shown a reflection to interpretation society like chalk and cheese expressing his heartfelt mindset and cool reactions watchdog the of the time situation. Tendulkar " s socially existing politically momentous plays revolutionised the Mahratti drama, which was spellbound in a melodramatic system. He calculated the reader-audience to meet the severe realities lady life protected his playacting of theatre company and anthropoid life disagree with all warmth ugliness jaunt crudity. A thematic con of Tendulkar " s plays brings to ducks the truth that proscribed made rendering reader-audience mush the harsh realitie • Vijay Tendulkar was one of India’s most influential and renowned playwrights of the 20th century, particularly in the Marathi language. Tendulkar was born on January 6th, 1928 into a Brahmin family in Kolhapur, Maharashtra. He left school at age fourteen because he was involved with Gandhi's anti-British Quit India movement. He read voraciously, attended numerous theater performances, and began writing for newspapers. In the early 1970s, he turned to cinema, writing screenplays in what became India’s new wave cinema movement. Tendulkar said of his love of writing, “Give me a piece of paper, any paper and a pen and I shall write as naturally as the bird flies or a fish swims. For the last 50 years, I have been writing...at roadside restaurants and on the crowded local trains. I have written on the sick bed in the hospital in spite of the doctor's advice... It was a great relief. It was joy." In the 1950s, Tendulkar moved to Bombay (Mumbai today) for his journalistic career and was strongly affected by the realities of urban slum life. He funneled this knowledge and concomitant compassion into his work, but his early play Grihastha was heckled off the stage. Though he swore he would not write again, this assertion did not stick. In 1956, Shrimant brought him more positiv Vijay Tendulkar PPT
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