The kings speech jennifer ehle biography
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Jennifer Ehle
American actress (born 1969)
Jennifer Anne Ehle (; born December 29, 1969)[3] is an American actress. She gained recognition and acclaim for her role as Elizabeth Bennet in the BBC miniseries Pride and Prejudice (1995), for which she received the British Academy Television Award for Best Actress. Known for her roles on Broadway and in the West End, she has won two Tony Awards as well as a nomination for a Laurence Olivier Award.
Ehle started her career acting on stage with the Edinburgh Festival, Royal Shakespeare Company, and the National Theatre. She gained fame for her role in Tom Stoppard's The Real Thing, earning a Tony Award for Best Actress in a Play and a nomination for the Laurence Olivier Award for Best Actress. She reunited with Stoppard acting in his play The Coast of Utopia (2007), earning a Tony Award for Best Featured Actress in a Play. She returned to Broadway in the J. T. Rogers play Oslo, earning a nomination for the Tony Award for Best Actress.
Ehle is also known for her film performances, including The King's Speech (2010), Contagion (2011), Zero Dark Thirty (2012), A Little Chaos (2014), Fifty Shades of Grey (2015), Little Men (2016), Fifty Shades Darker (2017), Fifty Shades Freed (2018) and She Sa
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The King's Speech
2010 film by Tom Hooper
This article is about the film. For the stage play based on the film, see The King's Speech (play). For other uses, see King's speech.
The King's Speech is a 2010 historical drama film directed by Tom Hooper and written by David Seidler. Colin Firth plays the future King George VI who, to cope with a stammer, sees Lionel Logue, an Australian speech and language therapist played by Geoffrey Rush. The men become friends as they work together, and after his brother abdicates the throne, the new king relies on Logue to help him make his first wartime radio broadcast upon Britain's declaration of war on Germany in 1939.
Seidler read about George VI's life after learning to manage a stuttering condition he developed during his youth. He started writing about the relationship between the therapist and his royal patient as early as the 1980s, but at the request of the King's widow, Queen Elizabeth The Queen Mother, postponed work until she died in 2002. He later rewrote his screenplay for the stage to focus on the essential relationship between the two protagonists. Nine weeks before filming began, the filmmakers learned of the existence of notes written by Logue that were being used by his grandson Mark and Peter Conradi as the b
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