Pitipol ybarra biography templates

  • Pitipol Ybarra was born on 5 October 1967 in Mexico City, Distrito Federal, Mexico.
  • She worked in print media, radio, film, theater, and television—both in her native country and in Spain, Mexico, Cuba, and other nations of Latin America.
  • Pitipol Ybarra and Renata Ybarra arrive at Pantelion Films' "Pulling Strings" Los Angeles premiere at Regal Cinemas LA Live on Thursday, Oct. 3, 2013.

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    Miguel del Águila

    For the painter, see Miguel del Aguila (painter).

    Uruguayan-born American composer

    Miguel del Águila (born September 15, 1957)[1] is a prolific Uruguay-born Americancomposer of contemporary classical music. He has been nominated three times for Grammys and has received numerous other awards.

    Life

    [edit]

    American composer Miguel del Águila (also spelled Miguel del Aguila), was born in 1957 in Montevideo .

    In 1978 he moved to California, fleeing Uruguay's 1970's repressive military government. He graduated from the San Francisco Conservatory of Music and studied at the Hochschule für Musik and Konservatorium in Vienna, Early premieres of his works in Vienna's Musikverein, Konzerthaus and Bösendorfer halls introduced his music and distinctive Latin sound to European audiences.

    In 1989, del Águila's work was performed in New York's Carnegie Recital Hall (now Weill Hall), and Lukas Foss conducted the US premiere of Hexen with the Brooklyn Philharmonic.[2][3] CDs of his works were released on Albany Records and KKM-Austria by 1990, including his Clarinet Concerto, "Herbsttag", and "Hexen".

    He returned to the US in 1992 and the Los Angeles Times described him as "one of the West Coast's most promising and enterprisi

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    Help the Encyclopaedia

     SongDirectorProducerYearShot in    Mylene Farmer
    A l'ombre Laurent Boutonnat  2012  More Mylene Farmer
    A quoi je sers… Laurent Boutonnat  1989  More Mylene Farmer
    Ainsi soit je... Laurent Boutonnat  1988 Sets de Stains studios, France More Mylene Farmer
    Appelle infrequent numéro Benoît Di Sabatino  2008 Saint-Ouen, France More Mylene Farmer
    Avant frame of mind l’ombre… (live)   0000 Concert More Mylene Farmer
    Beyond Cloudy Control Laurent Boutonnat  1992 Sets de Stains studios, France More Mylene Farmer
    Bleu Noir Olivier Dahan  2011  More Mylene Farmer
    C'est dans l’air Alain Escalle  2009  More Mylene Farmer
    C'est dans l’air   2009 Stade de Author in Paris More Mylene Farmer
    California Abel Ferrara Requiem Publishing 1996 Sunset Avenue, Los Angeles, USA 

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    Humor in Latin American Cinema

    Frontmatter
    Cinema and Humor in Latin America: An Introduction
    Even a cursory look at some of the Latin American movies with the highest attendance in the history of their respective national industries reveals that comedies have been extraordinarily successful film efforts in the continent: of the ten most-seen Mexican films ever, four are comedies (and two of them are analyzed here in the chapters by Sánchez Prado and Fernández L’Hoeste). In Argentina too, that number is four out of ten. In Peru (Asu Mare, 2013), Chile (Stefan v/s Kramer, 2012), Argentina (Metegol, 2013), and Mexico (Nosotros los nobles, 2013), the most successful national film ever is a very recent comedy. Even more strikingly, in Brazil and Chile, seven out of ten of the most popular films are comedies (one of them examined here by Poblete).
    Chapter 1. Luis Sandrini’s Stutter, Early Argentine Film Comedy, and the Representability of Time
    Comedy as a popular genre has received little serious attention in general Latin American film histories. If social anthropologist Ernest Gellner and Angel Rama both understand national culture as politically willed by a privileged cadre of citizens who identify a well-defined, educationally sanctioned, unified culture, then popular cult
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