Padraig timoney biography of martin

  • 1/7 | Almine Rech | biography | Padraig Timoney.
  • Born 1968, Derry; Lives in Berlin.
  • 1968: Born in Derry, Northern Ireland ; 1987–1988: Foundation Course St. Martin's School of Art, London, UK ; 1988–1991: BA Fine Art (First Class Hons.).
  • ‘New Work’ – Padraig Timoney

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  • padraig timoney biography of martin
  • Collection > Timoney, Padraig

    Born 1968, in Derry, Ireland.
    Lives and works in Liverpool and Naples.

    Education

    1991-92 Nicholas and Andrei Tooth Travelling Scholarship
    1988-91 BA Fine Art (First Class Hons.), Goldsmiths College, University of London.
    1987-88 Foundation Course St. Martinís School of Art, London.

    Solo Exhibitions

    2010
    Instead of Being Lucky, Andrew Kreps Gallery, New York, NY
    Buenas Noches, Laser, Xavier Hufkens, Brussels, Belgium
    2009
    White Columns, New York, NY
    Folkllores, Raucci/Santamaria Gallery, Naples, Italy
    2008
    Rockeryeer, The Modern Institute/ Toby Webster Ltd, Glasgow, Scotland
    The Modern Institute/ Toby Webster Ltd, Glasgow, Scotland
    2007
    Xavier Hufkens, Brussels
    Golarithm, Andrew Kreps Gallery, New York, NY
    Museum Metropolitan, Raucci/Santamaria Gallery, Naples, Italy
    2006
    The Fear of all Sums ‚ Ten Million dice to weigh, curated by C. Darke, Void, Derry, Ireland
    2005
    One year speak clear someyearsí peaks clear, Raucci/Santamaria Gallery, Naples, Italy
    2004
    The Modern Institute, Glasgow, Scotland
    2003
    The Grapevine In The Limelight, 38 Langham Street, London, England
    Statement Art Basel ‚ Raucci/Santamaria Gallery, Basel, Switzerland
    Castlefield Gallery, Manchester, England
    2002
    Present Future ‚ Artissima ‚ R

    Padraig Timoney

    Lulu is pleased to present a solo exhibition of the Irish, New York-based painter, Padraig Timoney (b. 1968).

    A moving target who is known to work primarily with painting, but also with photography, sculpture and drawing, Timoney never develops a single, consistent identifiable style. In his protean and idiosyncratic practice, works are liable to assume many shapes and forms, from abstraction to design to figurative painting, in any number of modes. One is always liable, upon entering a Padraig Timoney exhibition, to feel as if one were encountering a group show featuring work by several different artists. But after a careful viewing and a minimum of reflection, connections, themes and concepts begin to magically emerge. As such, Timoney might seem, at least initially, to encourage a forensic approach to art, but such an approach mistakenly implies that his exhibitions can be solved, like a crime or a riddle. The artist’s rigorously intuitive and organic method of exhibition making inevitably precludes such pat and easy outcomes. Operating something like a cartographer of human experience, the complexity with which he maps out life is too rich for simple solutions, even if a certain level of simplicity is never to far from what he does.

    For his show at Lul