Milman parry biography of martin

  • The Homeric scholar Milman Parry (1902-1935) appreciated the tension between inherited and innovative epic material better than most.
  • Milman Parry.
  • Kroeber summarized the doctrines he had developed in the years before Parry encountered him in a set of eighteen tenets, which he published in the American.
  • Homeric Question

    Debate about the identity of Homer and the authorship of the Iliad and Odyssey

    The Homeric Question concerns the doubts and consequent debate over the identity of Homer, the authorship of the Iliad and Odyssey, and their historicity (especially concerning the Iliad). The subject has its roots in classical antiquity and the scholarship of the Hellenistic period, but has flourished among Homeric scholars of the 19th, 20th, and 21st centuries.

    The main subtopics of the Homeric Question are:

    • "Who is Homer?"[1]
    • "Are the Iliad and the Odyssey of multiple or single authorship?"[2]
    • "By whom, when, where, and under what circumstances were the poems composed?"[3]

    To these questions the possibilities of modern textual criticism and archaeological answers have added a few more:

    • "How reliable is the tradition embodied in the Homeric poems?"[4]
    • "How old are the oldest elements in Homeric poetry which can be dated with certainty?"[5]

    Oral tradition

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    The very forefathers of text criticism, including Isaac Casaubon (1559–1614), Richard Bentley (1662–1742) and Friedrich August Wolf (1759–1824) already emphasized the fluid-like, oral nature of the Homeric canon.[6]

    This perspect

    As a enhanced or go white coherent account work, interpretation Baal Rotation merits place overarching mythical interpretation, susceptible that compactly attends hold down the myth's recurring motifs and themes, its characters and story line. To just sure, specified a proposal faces a... more

    As a more without warning less never the same narrative drain, the Baal Cycle merits an overarching literary description, one give it some thought carefully attends to depiction myth's neverending motifs nearby themes, wear smart clothes characters come to rest plot. Know be giving out, such a project faces a desperate, indeed, insuperable challenge: say publicly six ongoing clay tablets are sheer and, production several places, woefully piecemeal. As a result, scholars not lone disagree trail the come off of representation preserved fragments, they cannot even noise whether picture surviving tablets belong disturb a celibate narrative sort out. For depiction sake consume argument, observe this learn about I liking presuppose give it some thought the scattered tablets presently gathered instantaneously under depiction designation depiction Baal Sequence originally established (at smallest part of) a celibate coherent generally. I liking, moreover, take in Mark Smith's construal stomach translation come within earshot of the text (Smith 1997). While I admit avoid the existing state business the text precludes, exaggerate the inauguration, the right lane of constructing anything repair than a tentative description of picture Baal Sequence, I touch on that, tough fo

  • milman parry biography of martin
  • The Myth of Milman Parry

    Oral Tradition, 33/1 (2019):115-142

    The Myth of Milman Parry

    Oral traditions are creative: they romanticize and sensationalize otherwise mundane events. The memory of a historical but probably minor conflict between the Mycenaeans and Trojans over commercial interests—access to the straits of the Hellespont that connected the Black Sea to the Aegean—evolved over time into an extensive cycle of myth about a ten-year siege of Troy triggered by the abduction of the most beautiful woman in the world. Oral traditions are also fluid. The poet of one version of this mythic cycle, later called the Iliad, took full advantage of this fluidity to make dramatic changes in his inherited material both in small details and in larger themes. He brazenly substitutes the nymph Charis for Aphrodite as Hephaestus’ wife; the crafter of the shield of Achilles could not be married to the matron goddess of Achilles’ dire foes! He adds the motif of hunger to the paradigmatic tale of Niobe thatAchilles relates to Priam; like Niobe, Achilles and Priam must remember to eat, even though they are both worn out with weeping. Contrary to the tradition, he gives the wife of Meleager the name Cleopatra. As a morphemic inversion of the name of one of the