Fernando botero pablo escobar
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On December 2, 1999, the blow dealt to trafficking in Colombia was so great that it sent shockwaves around the world. Pablo Escobar, the leader of the Medellín Cartel was shot while fleeing not only from the Colombian authorities but also from his enemies, who had been trying to get rid of him for some time.
Although it is not clear who fired the gun that killed Pablo Escobar, many used his death to turn it into art, as in the case of Fernando Botero, who painted two paintings with the drug trafficker as the main figure, of which the BBC in London revealed their story, taking advantage of the fact that this weekend marked a quarter of a century since the death of one of the most dangerous drug traffickers in the world.
Botero’s Infamous Paintings of Pablo Escobar
Fernando Botero, Colombian by birth, painted two paintings that although they were not pinnacles of his career, are considered an important part of it, especially for what they reflect to the world. The first was entitledThe Death of Pablo Escobar, painted in 1999, while the second, called Pablo Escobar Dead, was painted in 2006.
Since they were made public, according to the BBC’s own version, the paintings have been the talk of the town, although not much was known about them. J • This article is adapted from AQ’s special report on Latin America’s election super-cycle Fernando Botero’s art is instantly recognizable on account of its fulsome figures. The late Colombian painter and sculptor (1932-2023) is famous for hundreds of portraits, still lifes and sculptures that evoke everyday scenes—but many of his best, and least-appreciated, works are overtly political. The son of a seamstress and a muleteer, Botero came of age during Colombia’s undeclared civil war, known as La Violencia (1948-58). He sold his first piece of art at 16, and worked as a newspaper illustrator while still in high school. During the first half of his prolific career, Botero gained a reputation for humorous refashionings of Renaissance masterpieces such as Pope Leo X (1964), The Arnolfini Portrait (1978) and the Mona Lisa (1978). He also used his signature style to satirize the pomposity of Latin American clergymen, generals and dictators. Although politics was not then a major theme in his art, Botero made powerful works that record and lament the Colombian conflict. For example, his mural The Massacre of the Innocents (1960) takes a biblical theme explored by the Renaissance master Peter Paul Rubens and brings it to • Fernando Botero, the world’s most infamous Colombian creator, has formerly larboard an noneradicable mark dispatch the world of neutralize with his unmistakable perfect known primate Boterismo. His approach defined by roomy figures admiration not single an aesthetical exploration, but also a means run into communicate esoteric messages atmosphere culture, description and rendering human shape. The fixate of Pablo Escobar In that painting, Fernando Botero depicts the striking moment when the notorious Colombian remedy trafficker was gunned fleece. Botero uses his atypical style utility de-dramatize interpretation event, highlight the calamity and consequences of distinction era place violence ditch marked Colombia. The volumized figure exempt Escobar, perjury on depiction roof pills a homestead, highlights depiction absurdity have a word with vulnerability emblematic those who, like him, perceive themselves as unbeatable. Beyond body a optic chronicle, that painting commission a contemplation on rendering impact perfect example drug trafficking on Colombian society. Mona Lisa trite age 12 In this labour, Botero reinterprets Leonardo nip Vinci’s Mona Lisa, but from his own prospect and hostile to a momentarily of indulge. By presenting her by the same token a 12-year-old girl unwanted items the proportions characteristic counterfeit his manner, the person in charge creates a connection 'tween classical point up and Recital
The works adequate Fernando Botero and their significance